Wednesday, March 3, 2010
Public Art
"16 Tons was a direct action on the 22-story Caseros Prison building, in Buenos Aires that sought to connect the scales of human perception and cosmic movement, through the filter of demolition architecture, revealing hidden dimensions of place and physical history as the prison building disappeared.
After five weeks of onsite work, 48 faces (aparecidos) spanning 18 stories shined out from the prison at varying times of day. Over the course of the next year and a half, the building was demolished floor by floor, and with it the images. "
"Aparecido is the past participle for the Spanish verb aparecer - to appear. Its second meaning is apparition or ghost."
http://www.sethwulsin.com/portfolios/307-16-tons
Wednesday, February 17, 2010
We are Stardust by George Legrady
We Are Stardust is a two-screen projection installation that uses infrared sensors to connect the real-time location of the audience in the exhibition gallery with the total vastness of space.
"The intent of the project is to consider our relationship to both local and deep space, and how we conceptualize and situate ourselves in relation to such spaces," said Legrady, whose work focuses on how data and various forms of information are represented. "This is realized by visually mapping the schedule of scientific observations based on NASA data consisting of what celestial bodies were looked at, when, for how long, and by whom.
"In contrast to this mapping, the heat-sensing camera mounted in the gallery performs in a similar fashion to the Spitzer heat-sensing instruments and simultaneously follows the same sequence of pointing instructions to record thermal images of the public moving through its field of view in the gallery space," he said.
http://turbulence.org/blog/2010/02/14/we-are-stardust-by-george-legrady/
http://www.ia.ucsb.edu/pa/display.aspx?pkey=2174
"The intent of the project is to consider our relationship to both local and deep space, and how we conceptualize and situate ourselves in relation to such spaces," said Legrady, whose work focuses on how data and various forms of information are represented. "This is realized by visually mapping the schedule of scientific observations based on NASA data consisting of what celestial bodies were looked at, when, for how long, and by whom.
"In contrast to this mapping, the heat-sensing camera mounted in the gallery performs in a similar fashion to the Spitzer heat-sensing instruments and simultaneously follows the same sequence of pointing instructions to record thermal images of the public moving through its field of view in the gallery space," he said.
http://turbulence.org/blog/2010/02/14/we-are-stardust-by-george-legrady/
http://www.ia.ucsb.edu/pa/display.aspx?pkey=2174
Wednesday, February 10, 2010
Wednesday, January 27, 2010
Inspirations
Rirkrit Tiravanija for his relational art:
http://nymag.com/arts/art/reviews/31511/
Dream Temple:
http://www.artnet.com/Magazine/FEATURES/itoi/itoi11-20-1.asp
3D projection in a 3D environment:
http://www.ndesign-studio.com/blog/3d-projection-on-buildings
Projection on flat surfaces simulating 3D environment:
http://antivj.com/murcof/
The beauty beyond:
http://antwrp.gsfc.nasa.gov/apod/image/0305/firstqsos_esa.jpg
http://nymag.com/arts/art/reviews/31511/
Dream Temple:
http://www.artnet.com/Magazine/FEATURES/itoi/itoi11-20-1.asp
3D projection in a 3D environment:
http://www.ndesign-studio.com/blog/3d-projection-on-buildings
Projection on flat surfaces simulating 3D environment:
http://antivj.com/murcof/
The beauty beyond:
http://antwrp.gsfc.nasa.gov/apod/image/0305/firstqsos_esa.jpg
Tuesday, January 26, 2010
BioArt
"Living Drawings" by Hunter Cole is a set of line drawings created by bioluminescent bacteria. The bacteria are photographed over a period of 2 weeks and as food in the petri dish diminishes, the glow of the bacteria also decreases until they finally die.
Wednesday, January 20, 2010
Politically Engaged Media Artwork
Marc Lee *1969 *Switzerland creates network-oriented interactive projects since 1999.
Experimenting with information and communication technologies, his projects locate and critically discuss economic, political, cultural and creative "issue-clusters" that are essential for communication processes in digital networks.
"Latest headlines from the Internet are in real time processed, analyzed and projected on big transparent balloons. The headlines are enriched with relevant texts, images, videos, noises and appropriate talks which are searched trough search engines such as ccMixer, Flickr, Google, Pozinger, Technorati, Yahoo, Wikipedia...
The more medias coverage the particular story, the bigger the balloons arise, done by inflation with a special pump."
Breathing Newsbots
Experimenting with information and communication technologies, his projects locate and critically discuss economic, political, cultural and creative "issue-clusters" that are essential for communication processes in digital networks.
"Latest headlines from the Internet are in real time processed, analyzed and projected on big transparent balloons. The headlines are enriched with relevant texts, images, videos, noises and appropriate talks which are searched trough search engines such as ccMixer, Flickr, Google, Pozinger, Technorati, Yahoo, Wikipedia...
The more medias coverage the particular story, the bigger the balloons arise, done by inflation with a special pump."
Breathing Newsbots
Wednesday, January 13, 2010
Relational Media Artist
Rafael Lozano-Hemmer, born in 1967 in Mexico City, graduated from Concordia University with a B.Sc in Physical Chemistry. His works, which are mostly huge installations in public spaces, make use of computers, lights, sounds, projections, sensors in an effective way to encourage the audience to interact with the artworks, thus connecting not only the audience to the space and technology but also the individuals within the audience. Rafael's biggest intention as an artist is to make people aware of their environment and participate actively within the community.
"The political or corporate takeover of the city takes place in such insidious ways. Everywhere we look there is advertising. Left outside of this system is us, the consumers. Short of graffiti or skateboarding, how else do we form part of the city?"
My favourite work is Body Movies. It uses strong lights to cast passers-by's shadows on a wall which contains a projected image of static portraits. The image changes once all the portraits have been discovered.
Playing with your shadow is one of the things that comes naturally to you. Now playing with your shadow together with other people's shadows to tell a story makes it even more interesting and entertaining. Hence the artwork does not require much or any explanation for the audience to start understanding and interacting with it. Body Movies is an incredible artwork which brings people together using fun, creativity and teamwork. It's funny and very enjoyable to see how people can give a performance in a public space and communicate(sometimes with strangers) without having to say a word and without them even realising that they are the heart of the artwork.
"If no one participates, then the piece does not exist."
Body Movies
Interview with Rafael Lozano-Hemmer
"The political or corporate takeover of the city takes place in such insidious ways. Everywhere we look there is advertising. Left outside of this system is us, the consumers. Short of graffiti or skateboarding, how else do we form part of the city?"
My favourite work is Body Movies. It uses strong lights to cast passers-by's shadows on a wall which contains a projected image of static portraits. The image changes once all the portraits have been discovered.
Playing with your shadow is one of the things that comes naturally to you. Now playing with your shadow together with other people's shadows to tell a story makes it even more interesting and entertaining. Hence the artwork does not require much or any explanation for the audience to start understanding and interacting with it. Body Movies is an incredible artwork which brings people together using fun, creativity and teamwork. It's funny and very enjoyable to see how people can give a performance in a public space and communicate(sometimes with strangers) without having to say a word and without them even realising that they are the heart of the artwork.
"If no one participates, then the piece does not exist."
Body Movies
Interview with Rafael Lozano-Hemmer
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